All Andrea del Castagno Oil Paintings

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
 
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Andrea del Castagno The Youthful David oil on canvas


The Youthful David
The Youthful David
Painting ID::  31310 		  nn07 c. 1450 Tempera on leather on wood, width at bottom 115,6 x 41 cm National Gallery of Art, Washington
  nn07 c. 1450 Tempera on leather on wood, width at bottom 115,6 x 41 cm National Gallery of Art, Washington

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Andrea del Castagno The Trininty with Saints oil on canvas


The Trininty with Saints
The Trininty with Saints
Painting ID::  32054 		  mk78 c.1453-4 Fresco. Florence,SS.Annunziara
  mk78 c.1453-4 Fresco. Florence,SS.Annunziara

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Andrea del Castagno Our Lady of the Assumption with Sts Miniato and Julian oil on canvas


Our Lady of the Assumption with Sts Miniato and Julian
Our Lady of the Assumption with Sts Miniato and Julian
Painting ID::  32201 		  1450 Panel, 150 x 158 cm
  1450 Panel, 150 x 158 cm

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Andrea del Castagno St John the Baptist oil on canvas


St John the Baptist
St John the Baptist
Painting ID::  32202 		  1442 Fresco
  1442 Fresco

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Andrea del Castagno God the Father oil on canvas


God the Father
God the Father
Painting ID::  32203 		  1442 Fresco
  1442 Fresco

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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